Monthly Archives: October 2020

Pushing my personal practice forward

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Work in progress 1

Work in progress 1

Work in progress 2

Work in progress 2

Work in progress 3

Work in progress 3

I’ve always wanted to work on a large scale but not always found the courage to do it. Earlier this week, I spent 3 days on Zoom studying with Katie Sollohub.

She was running a course entitled ‘Embodied Drawing’ at Seawhite Studios. Emily Ball is the owner of this set up and for this course she was participating alongside us.

https://www.emilyballatseawhite.co.uk/

“The course is for students wishing to expand their drawing practice and find new limits, beyond the scale of your average drawing, by working large, freely, involving body and breath. You will be your own model, working on two or three large scale drawings, and guided by Katie’s exercises and meditation…… By connecting the process of drawing to our own physicality, we can harness directly the power and sensations of the body to create marks. The outcome is perhaps not important, it is more about the process than the product in this course. However, the results may surprise and inspire you in your approach to drawing and painting beyond the course, helping you to discover a fresh way of working from the figure, reinventing your visual response to the physical body.”

Climbed a mountain during the course but it was so worthwhile, great group of participants worldwide and we’re staying in touch on social media, supporting and inspiring each other.

My thanks to Emily and Katie and the Seawhite team for putting this on for us. If this description inspires you, they plan to run this course again in the new year.

Free flow experimentation, gestural mark making, salt

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Experimental work done after the strict discipline of the Zen workshop, playing with salt, pre-wetting the paper, and using large watercolour sheets

Experimental work done after the strict discipline of the Zen workshop, playing with salt, pre-wetting the paper, and using large sheets of watercolour paper

  

 

 

Zen Brushwork Workshops

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Detail of Dai ji zai

Detail of Dai ji zai

 

Mu Ichi Butsu

Mu Ichi Butsu

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I have recently attended two Zen Brushwork workshops which are only allowed to happen online due to current restrictions.

The first workshop was beamed into my studio from Kyoto, Japan and was led by Sarah sensei and Inoue sensei. The whole experience was new to me, involving strict disciplines of Zazen (sitting meditation), Yoki-Ho (30 minute warm up exercise), Kusho (writing in the air) followed by painting the Kanji (Japanese characters) with Japanese ink and brush. The Kanji we painted was Dai ji zai, translated variously as ‘complete freedom’, ‘great freedom’ or ‘great unhinderedness’.

The second workshop was led by Jos Hadfield, working from Cornwall, again on Zoom. The Kanji we painted was Mu Ichi Butsu, which translates as ‘Owning no-thing’.

I really enjoyed the gestural mark making but fully appreciate I have a long way to go with this discipline which also feeds back into my study of Tai Ji and my painting.

 

Latest news from my studio…

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I have recently started a new body of work based on ideas and experiences that have been rattling around on the back burner of my brain for a while now.

This ongoing series are currently grouped under the heading Fires in the Mind, and make reference to the source of inspiration of Dave’s installation of the same name.

These autobiographic paintings are attempts to portray the struggles and internal dialogues I am currently going through whilst still receiving counselling to help me come to terms with the traumatic event of Dave’s death that changed absolutely everything in my life.

‘Rabbit Holes’ seeks to express the crazy internal unfocussed state of mind that I found myself enter, heightened over recent months by the solitude of lockdown restrictions.

'Fires in the Mind - Rabbit Holes'

‘Fires in the Mind – Rabbit Holes’

An easing of lockdown restrictions over this summer has highlighted to me the need to find the courage to become more earthed and focussed as the world too begins to feel its way through this pandemic that has changed everything in everyone’s lives forever.

‘Towards Awareness’ expresses the beginning signs of movement towards focus and a more frequent feeling of calm. Still sensing the omnipresent hair trigger of grief that kicks my feet from under me, the slow process of regaining my centre and grounding myself has begun.

'Fires in the Mind - Towards Awareness'

‘Fires in the Mind – Towards Awareness’

Taking Part in the Sketchbook Project Volume 17

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Polish_20201013_131621525

Excited to have received my sketchbook from Brooklyn Art Library yesterday. Looking forward to enjoying filling it in. Lots of ideas in my head but see where my pencil takes me…

Just to explain the background, Brooklyn Art Library is a non profit art organisation that has been completely funded by participation since 2006. The Brooklyn Art Library crew say

“By buying a sketchbook, you have helped us ensure that we are keeping our physical library space free and open to the public as well as our digital library accessible world wide. Your book will be joining our collection of 50,000 artists books from 130 different countries. This project is meant to encourage creative storytelling, within a global community.”

https://brooklynartlibrary.org/