Always a relief to know that my sketchbooks have arrived safely in Brooklyn Art Library. The Sketchbook Project crew sent me this email today:
“Thanks for sending in your project for The Sketchbook Project 2017! We just wanted to let you know that your project has now been cataloged into the Brooklyn Art Library! It can be found on the shelves with a call number of 327.1-5.”
Sunny but breezy day in Cardiff earlier today for the Private View at Boundary Art. Interesting mix of work in 2D and 3D and excellent refreshments provided in the Chinese Tea Garden by Joan. First experience of Chinese tea ceremony for me, a great way to relax and soak up the ambience. Really pleased to have my work hung beautifully in front of faceted ceramics by Kin Leung. If you were unable to get to the Private View, the exhibition runs until 30th April. Gallery open Wednesday to Sunday 11am to 6pm. www.boundaryart.com
Really pleased with how it looks as it gives a great overview of my work including quick links to Vimeo and YouTube videos. The printed Directory will be available in July, but the website is already up and running and looking great. New artists added as they apply so keep checking back.
Have been busy filling my SBP Sketchbook for Brooklyn Art Library in New York (see earlier Blogs). I have drawn the Yang 88 Style of Taijiquan as it was being performed in front of me. No time for details, just focusing on grasping the essence and the energy flow of the form. I have been studying Tai Ji for 25 years now so this is a celebration of my quarter century. I do however still consider myself to be a beginner. It is supposed to take several lifetimes to master the art of Tai Ji.
The thought process behind my ‘box’ which I completed for Tim Ilife’s multi-artist installation (see Blog entry 2.3.17 “in our minds there are many rooms…”) contained several threads.
Having a mature walnut tree in our garden sparked the initial thread of interest, seeing how each nut and shell was similar yet quite different from the next one. As with everything in nature, no two walnuts are identical. On researching the history of walnuts I became intrigued that in Victorian times the reassembled shells were used to pass secret messages and love tokens. Further research onto the resemblance of the kernel to the human brain lent itself to being used in this art project about mental health. I chose to cover the empty pill box in black and white felt – a reference to yin and yang, darkness and light, and padded cells. Before I sealed the interior off I inserted three walnut shells that were filled with screwed up pages from the ‘i’ newspaper from Friday 13th January 2017, and strapped them into the shell halves with strong wire so there was no escape! I then combined concepts relating to Gulliver being tied down on one face of the box with the opposing face featuring a spiders web with its prey wrapped and ready to eat. Strands of copper wire and thread were used throughout. No one but me (and you!) knows what is inside the box making intriguing noises as the box is turned over. This project has intrigued me, such a simple concept but so many different interpretations as the 1000 artists all explore their own “rooms”. Currently installed until the end of April at Bangor Cathedral, I will keep you posted as it travels to each venue over the coming months.
Private View invitations for the 2nd Anniversary Exhibition ‘Birth:Rebirth’ at Boundary Art are now available. You are welcome to come along between 3 and 5pm on Saturday 25th March to see the work selected by guest curator Matthew Evans. Exhibiting artists are Aidan Myers, Andie Clay, Ping-Gang Cheng, Dan Edwards, Lucia Martin, Luke Samuel and Kin Leung.
A recent Art Project that I took part in is being organised byTim Iliffe, lead artist. He states ‘In October 2016, in conjunction with MOMA Machynlleth, we were awarded an Arts Council of Wales Award to carry out a project which involves 1000 people in the creation of four installations across North Wales.’ Participants are sent an empty numbered CTNK pill box. ‘The boxes represent the state or contents of our minds at the time of making. There are no rules! Cut it, paint it or burn it, in fact do anything you like. The returned boxes will be hung at four locations across the region.’